Landscapes of Survival

Gabriel Giorgi

Abstract


Some of the most significant investigations in contemporary literature and art from Brazil and the Southern Cone revolve around the question of memory, the threshold between the living and the dead and the ways in which conflicting temporalities and anachronism articulate a critique of the present. Memory, evidently, has become a terrain politically saturated in contemporary South American democracies, where the “politics of memory” —conjugated between testimony and collective pedagogies— define to a great degree the articulation between culture and politics. In this context, Nuno Ramos’ installations and writings, working on the unstable terrain between the living and the dead, the organic and the inorganic, the fossilized and the spectral, represent a decisive intervention. In Ramos’ works memory is never entirely human; it is irreducible to the domain of subjectivity nor to the shared narratives of the collective. Memory, instead, takes place precisely at the very limits of the human; it is inseparable from non-human bodies and matters. This essays focus on the "landscapes of survival" where the configuration of such critical perspective in Nuno Ramos’ work interrogates and reformulates the ways in which memory and the political interface there where the very notion of life — the bios that articulates the biopolitical— is at stake.


Keywords


Memory, Biopolitics, Contemporary aesthetics, Landscape, Bios, Temporalities, Non-Human

References


Cóccaro, Victoria. “Vacío, materia y memoria: formas de dar sepultura en la obra de Nuno Ramos”, ponencia presentada en el congreso ABRALIC, Rio de Janeiro, setiembre 2016.

Derrida, Jacques, “Je suis en guerre contre moi-même”, Le Monde, agosto 18, 2004.

Garramuño, Florencia, Mundos en común. Ensayos sobre la inespecificidad en el arte, Buenos Aires, Fondo de Cultura Económica, 2015.

Huberman, Didi, L’image survivante. Histoire de l’art et temps des fantômes selon Aby Warburg, Ed Munuit, Paris, 2002.

Jorge, Eduardo, “Inventar uma pele para tudo": texturas da animalidade na literatura e nas artes visuais, tesis de doctorado, Universidade Federal de Minas Gerais, 2014.

Ramos, Nuno, Ensaio geral, Editora Globo, Sao Paulo, 2007.

--- Junco, Ed Iluminuras, Sao Paulo, 2011




DOI: https://doi.org/10.5195/ct/2016.201

Refbacks

  • There are currently no refbacks.




Copyright (c) 2016 Gabriel Giorgi

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.